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Emily approaches her subjects--teacups, old buildings, matzo cracker boxes, asparagus, the human figure--with equanimity and imbues them with the unique, wobbly energy that emanates from her hand. If you funneled the strange vitality of Charles Burchfield through the clear structure of Edward Hopper, you would get Emily Steinberg’s emotional portraits of everyday subjects.

Elizabeth Johnson
What You See is What a You Get
The Easton Irregular